dylanstew

First of all thank you to all that have answered a million questions that I haven't got the chance to ask. This site seems to be all that a freak like myself needs.I just recorded Ray LaMontagne in Vancouver using my new MZ-RH910,and my older (higher priced) Core Stealth Cards w/batt box.The show was a fairly low level, solo acoustic show with some higher volume areas. I ran through Line-in with the rec level set at 28 for the whole show as this seemed to peak the level at -12db.And yes, I too tried the Track mark ON and set for the 60min mark and ended up with 35 tracks (He played 11 tracks). All I'm getting at is that given the choice to rec this again I would try the Mic-in for sure.I was able to apmplify in Audacity and come out with a decent memory. I was very happy with the sound but i guess that i too would rather have a stronger volume on the master.Really, Thank you All.Dylan(from the great white north).

I don't have the low cost ones and i must run thru the batt box because that is the way they are wired,so i guess that i will try the Line In.The line in is marked optical,does it also double for other(analog)?Do you also get manual rec. level on the line in ?Thanks alot for the info.Dylan

I have been reading alot here and I'm still a bit confused.Would it be better to run Mic's--Batt Box--Mic In,or to run Mic's--Batt Box--Line In.I have been using these mic's for a few years with a Sony wm-d3 cass. recorder and have never experienced overload.I wonder if i should use the RS Attenuator .Thanks alot Dylan