The official introduction of the Sony NEX-3 and NEX-5 (APS-C) interchangeable-lens cameras rocked the photography world last week with its slick design, thin exterior and light weight. How can it not be droolworthy when the first version packs so much power in practically the same (body) size as a point and shoot camera? The feedback to Sony’s new camera system was overwhelmingly positive, and many found the NEX system to be better in specifications and appearance than competing interchangeable-lens cameras from Samsung, Panasonic and Olympus.
After the smoke clears from the excitement of a new product announcement, it is inevitable that questions start to arise. One of the most important questions is – what type of lens are available for the NEX cameras?
This camera uses E-mount lens, which is an entirely new system – its important to note that Sony will offer a E-mount to A-mount converting adapter, which allows you to use your previous A-mount lenses with this new camera. This is a huge sigh of relief for many of you photographers out there who have expensive lenses and were worried that they would have to reinvest their money in a whole new system. The hit won’t be so big with this adapter. Here is a picture of the adapter (LA-EA1), which includes a detachable tripod attachment:
Now that we got that out of the way, lets take a look at the official first generation NEX lenses and attachments:
Here’s the 16mm Wide-Angle Lens (SEL16F28). Stylishly designed to match the camera, it’s a portable and versatile lens that’s perfect for both movies and photos. It’s light, compact and easy to carry. This lens has smooth, quiet AF operation and you can expect exceptional low-light performance.
Next we have the 18-55mm Zoom Lens (SEL1855). This is great zoom lens for everything from scenic photos to snapshots and formal portraits. The SEL1855 excels in shooting at slower shutter speeds. We’re also impressed with the fact that its one of the first lenses to have built-in Optical SteadyShot image stabilization, which was usually a feature found in a camera, not the lens.
Don’t think Sony would launch a new camera system without a 11x Telephoto Zoom Lens (SEL18200). It’s a wide-range zoom that covers virtually all shooting situations and features performance optimized for movie capture as well. The lens is light, compact and easy to carry and has smooth and quiet operation. There’s also an advanced Active Mode for steadier movie shooting.
The high quality and sleek designed E-mount Ultra Wide Converter (VCL-ECU1) offers excellent depth of field and exaggerated perspective, instantly expanding your photographic horizons. It attaches easily and securely to the front of the lens and is designed for use with the SEL16F28.
The high quality and sleek designed E-mount Fisheye Converter (VCL-ECF1) captures dynamic dramatic images with curvilinear distortion, exaggerated perspective and extreme depth of field. It attaches easily and securely to the front of the lens and is designed for use with the SEL16F28.
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Christopher
The official introduction of the Sony NEX-3 and NEX-5 (APS-C) interchangeable-lens cameras rocked the photography world last week with its slick design, thin exterior and light weight. How can it not be droolworthy when the first version packs so much power in practically the same (body) size as a point and shoot camera? The feedback to Sony’s new camera system was overwhelmingly positive, and many found the NEX system to be better in specifications and appearance than competing interchangeable-lens cameras from Samsung, Panasonic and Olympus.
After the smoke clears from the excitement of a new product announcement, it is inevitable that questions start to arise. One of the most important questions is – what type of lens are available for the NEX cameras?
This camera uses E-mount lens, which is an entirely new system – its important to note that Sony will offer a E-mount to A-mount converting adapter, which allows you to use your previous A-mount lenses with this new camera. This is a huge sigh of relief for many of you photographers out there who have expensive lenses and were worried that they would have to reinvest their money in a whole new system. The hit won’t be so big with this adapter. Here is a picture of the adapter (LA-EA1), which includes a detachable tripod attachment:
Now that we got that out of the way, lets take a look at the official first generation NEX lenses and attachments:
Here’s the 16mm Wide-Angle Lens (SEL16F28). Stylishly designed to match the camera, it’s a portable and versatile lens that’s perfect for both movies and photos. It’s light, compact and easy to carry. This lens has smooth, quiet AF operation and you can expect exceptional low-light performance.
Next we have the 18-55mm Zoom Lens (SEL1855). This is great zoom lens for everything from scenic photos to snapshots and formal portraits. The SEL1855 excels in shooting at slower shutter speeds. We’re also impressed with the fact that its one of the first lenses to have built-in Optical SteadyShot image stabilization, which was usually a feature found in a camera, not the lens.
Don’t think Sony would launch a new camera system without a 11x Telephoto Zoom Lens (SEL18200). It’s a wide-range zoom that covers virtually all shooting situations and features performance optimized for movie capture as well. The lens is light, compact and easy to carry and has smooth and quiet operation. There’s also an advanced Active Mode for steadier movie shooting.
The high quality and sleek designed E-mount Ultra Wide Converter (VCL-ECU1) offers excellent depth of field and exaggerated perspective, instantly expanding your photographic horizons. It attaches easily and securely to the front of the lens and is designed for use with the SEL16F28.
The high quality and sleek designed E-mount Fisheye Converter (VCL-ECF1) captures dynamic dramatic images with curvilinear distortion, exaggerated perspective and extreme depth of field. It attaches easily and securely to the front of the lens and is designed for use with the SEL16F28.
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