PlanetEarth Posted November 10, 2004 Report Share Posted November 10, 2004 When recording a live "rock" concert in Hi-SP mode, I think the best recording setting to have the Hi-MD on is: MIC Sensitivity - High. And leave everything else the same. (This is the opposite to what the manual says when recording a concert). This is assuming you have a decent microphone so the music won't come out distorted. Please post your thoughts and possible experiences in a "loud" music environment with your Hi-MD. Thanks. Quote Link to comment Share on other sites More sharing options...
poorlyconditioned Posted November 11, 2004 Report Share Posted November 11, 2004 I haven't tried AGC. I just use "low sensitivity" and manual level control. Richard Quote Link to comment Share on other sites More sharing options...
pinkgary Posted November 11, 2004 Report Share Posted November 11, 2004 I also use low sensitivity and manual gain, but that's mainly because that's what i did with my mzn1. Pesonally i'd have to test it quite a bit before recording anything important with an automatic gain control. I always thought that the mic high/low was just an input level control anyway, is this not so? Does it alter the way it records the data from the mic? And if so what differenciates a high/low sensitivity mic anyway? If anone has answers, my mic is a audio technica at822. Quote Link to comment Share on other sites More sharing options...
PlanetEarth Posted November 11, 2004 Author Report Share Posted November 11, 2004 So it's better to have the mic sensitivity on low and use the manual volume control to increase it to whatever level you want it at? Any other suggestions or thoughts? Quote Link to comment Share on other sites More sharing options...
dave_bass5 Posted November 11, 2004 Report Share Posted November 11, 2004 I recorded my band the other night with my 900 and for the first time used AGC with mic set on low as i couldnt be bothered with setting the levels and was very suprised at the quality. the mic was a stereo sony and was placed just off from in front of my bass amp facing into the stage. i wasnt expecting much as my old MZ-N1 would have distored badly. going to the RAH next week so will try it out there Dave. Quote Link to comment Share on other sites More sharing options...
A440 Posted November 12, 2004 Report Share Posted November 12, 2004 I use two modes for live music. One, as I was using with the MZ-N707 and the MZ-R700, is High Sensitivity with the mic attenuated (its signal lowered) by a Radio Shack Headphone Volume Control. This still works fine on the NHF800. Now, with the NHF800, I have also started using Low Sensitivity and Rec Volume on Manual set to 12 or 13. Since that's one less gizmo to go through, I may make that my usual mode. Quote Link to comment Share on other sites More sharing options...
dex Otaku Posted November 12, 2004 Report Share Posted November 12, 2004 When recording a live "rock" concert in Hi-SP mode, I think the best recording setting to have the Hi-MD on is: MIC Sensitivity - High. And leave everything else the same. (This is the opposite to what the manual says when recording a concert). This is assuming you have a decent microphone so the music won't come out distorted. Please post your thoughts and possible experiences in a "loud" music environment with your Hi-MD. Thanks.High sensitivity mode would have the mic preamp in solid clipping in a loud concert situation. All you are likely to record [even with the AGC] is distortion. If the AGC has enough range to compensate, you'll likely end up with an extremely loud, noisy recording. Low sens, manual levels is what I recommend. The AGC circuit in HiMDs appears to be significantly different [and a lot better] than on the previous-generation MDs. I frequently skip using manual levels now if I'm in a situation where the sound isn't any louder than a certain level. I avoid using it for music, though. Quote Link to comment Share on other sites More sharing options...
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