parrilla Posted January 24, 2007 Report Share Posted January 24, 2007 Hello guys/gals,This is my first posting on this site . I'm looking at several options for live recordings (Edirol r-09, zoom, and the MZ-RH1). I like the fact that I can use the MZ-RH1 to listen to stuff also. Here's the thing, I plan to use the unit to record live ensemble classical music. If I get the MZ-RH1, I was planning to bundle it with a Sony ECM-MS907 microphone. What do you guys think? Quote Link to comment Share on other sites More sharing options...
The Low Volta Posted January 24, 2007 Report Share Posted January 24, 2007 The RH1 is indeed a brilliant recording device and it is good for playback as well (though there definitely are better devices if playback alone would be your concern)but if I were you I would look further for a mic! The Sony mics (including the ECM-MS907) do not record the full frequency range of human hearing (100Hz to 15kHz while we can hear from 20Hz-20kHz) and this can make recordings sound thin and unnatural (mainly due to the lack of deep bass-tones) and for example when recording piano forte this would be very obvious in the lower noteshave a look at SoundProfessionals.com (if you're in the US or close to that) or do a search for A440's thread on greenmachine's mics as they are very good and better value for money if you're in Europe Quote Link to comment Share on other sites More sharing options...
parrilla Posted January 24, 2007 Author Report Share Posted January 24, 2007 Thank Low Volta. I'll look into sound professionals (I'm in Rhode Island, US). Any recommendations as to what from them? Cardioid - 2 versus 1 for stereo - etc. - model in particular (please low $...). Thanks again. Quote Link to comment Share on other sites More sharing options...
Karl P Posted January 24, 2007 Report Share Posted January 24, 2007 I was looking at the SP BMC-2 over at Sound Professionals but opted to build my own. I'm very happy with the ones I built, cost less than $9 and quality is great. Quote Link to comment Share on other sites More sharing options...
raintheory Posted January 24, 2007 Report Share Posted January 24, 2007 I was looking at the SP BMC-2 over at Sound Professionals but opted to build my own. I'm very happy with the ones I built, cost less than $9 and quality is great.wanna post some pics of your mics? Quote Link to comment Share on other sites More sharing options...
Karl P Posted January 24, 2007 Report Share Posted January 24, 2007 (edited) wanna post some pics of your mics?Posted in the DIY project thread here. The stereo effect obtained with these is great, I was surprised at the quality. Used the Panasonic 61a microphone capsules soldered onto the headphone cable that came with the cheapo headphones.AK_Dinosaur_Ride.mp3The above is a recording I made with these. Made the battery box in the DIY thread too, attached these to that and then into a Sony RH1 recording in Hi-SP mode.The ONLY problem I had with these is wind noise, which actually caused an edit at the end of this file. It's tough to hear I think, but the last part I needed to replace the audio with a second ride through that didn't have the wind noise. I will be altering these to include a windscreen of some sort.Overall though, I can't complain. I figured I save myself over $100 by making my own stuff, and the quality really is tops. Edited January 24, 2007 by Karl P Quote Link to comment Share on other sites More sharing options...
A440 Posted January 24, 2007 Report Share Posted January 24, 2007 parilla:How quiet will the classical music be that you are recording? I ask because the RH1 does make an occasional whirring noise while spinning up the disc, and if you are recording a solo instrument in a quiet recital room, etc., you may hear it on the recording. At a rock or jazz concert, it is well masked by the ambient noise, and I haven't heard it in orchestral recordings I have made, but it is a possibility. For that reason you might want to look more closely at the flash recorders. I don't like the bulk or obviousness of the built-in mics on the Edirol or the Zoom, but if you don't have to be stealthy they might serve you well. You shouldn't use any kind of mic that sits on a minidisc unit, because then you'll definitely hear the whirring noise. A few feet away on a cord makes a lot of difference. Low Volta is correct about the MS907. You might not need those low frequencies for a string quartet, but you would want to capture them with an orchestra or a piano (bottom A=27.5 Hz). --------------Karl P, here's a place to buy windscreens. They have some small ones. http://www.pro-sound.com/Catalog/MICACCSS/1.htmYou might also try http://www.bhphoto.com Quote Link to comment Share on other sites More sharing options...
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