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Any Possible Mic Setup To Use For Line-In Recorder?

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The Turtle

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My sister has been wanting an mp3 player recently, and I found an RCA Opal on sale for her. Additionally, I found that this mp3 player has the option for line-in recording, which might come in handy for me to borrow it for a few concerts I will be attending this summer.

So I have researched and know that the norm is is to use the mic-in input found on some MD Players and DAT recorders and the such, but I want to know:

Is it possible through some kind of microphone setup to amplify the microphone so that it would be able to record a concert decently through a line-in port?

I am not looking to need any supreme level of quality from the recordings, just an enjoyable amount of quality.

Any recommendations for microphones/battery boxes/amplifiers or anything of the sort to make this work would be greatly appreciated.

Thanks.

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If the mic has a decent output, loud concerts don't need preamplification. Electret mics need a bias voltage though which can be supplied via a battery box. Unamplified acoustic instruments may need preamplification. What kind of concerts are you going to attend / how loud?

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Can you recommend an inexpensive mic with decent output that won't need preamplification or an electret mic/battery box combo?

I'll probably just go for whichever is the best mix of inexpensive/stealthy.

Would something along the lines of this battery module: http://www.minidisc-canada.com/shopexd.asp?id=303

Along with one of these microphones probably work for a decent recording through a line-in port?: http://www.minidisc-canada.com/shopexd.asp?id=269 http://www.minidisc-canada.com/shopexd.asp?id=627

Thanks for any recommendations.

Edited by The Turtle
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There's no basic mic that will just work with line-in. You need power somewhere.

That battery module should work fine, but I don't recommend either of those two mics. Theyre' chunky--imagine them plugged into the battery module. You'd have to hold it in your hand, which would give you handling noise.

Seems that all Minidisc Canada offers are one-point mics--those two are the closest thing to what you need, and they would work if you're desperate. The Delta is the better of the two. But the Delta is a weird metal thing that's heavier than it needs to be and not particularly stealthy--shiny aluminum? hello?--and the Sony is even clunkier.

Get a stereo pair of itty bitty mics, like the Sound Professionals BMC-2 or the Microphone Madness equivalent or some separate pair of mics that you can clip to a shirt collar, glasses or a hat. Module and recorder go in a pocket, mics themselves are dark against dark clothing--you're not standing there holding something for security to see.

Also, make sure Minidisc Canada still actually exists by calling them before you order anything online.

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The Delta is the better of the two.

Not sure about that. The frequency response may be wider, but the channel separation will be virtually non-existent. Omnis either need some spacing (a couple of cm at least), a relatively large barrier (again, a couple of cm at least) in between, or both. Think of it as a mono mic with two elements. The Sony uses directional elements.

By the way, are Reactive Sounds out of business? I can't find their homepage.

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No argument here about the near-mono sound of the Delta.

I don't think either mic is a great choice. but I figured that given the tradeoff between the Sony's self-noise, size and lack of bass and the Delta's lack of separation, I'd go with the Delta.

Glad to know Minidisc Canada is still going. I can't find Reactive either.

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