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Windows 10 installation (Net MD): 1) Download the files in description 2) Double click on "SS43_Ultimate.exe" and install the "SonicStage" program. 3) Go to Program Files (x86) -> Sony -> Personal Audio Drivers -> Sort by type -> Highlight all the ".inf" files, right click on one of them and hit install. 4) Unzip the second attached file "sony-net-md-drivers-win764.zip" and open up the folder "Sony Net MD Drivers". 5) Right click "NETMD760.inf" and hit install. 6) Go to Program Files (x86) -> Sony -> SonicStage-> Right click on "Omgjbox.exe -> Click on Compatibility -> Under the Compatibility tab, click the box and select "Windows XP (Service Pack 3)" Launch SonicStage, plug in your Walkman and a "NET MD" tab should show up in Sonic Stage. If the "NET MD" tab does not show up for you, then you need to find the correct driver for the individual Microdisc player You may receive an error when starting it, just click "next" and agree" and open it up a 2nd time without problems. Learning how to use SonicStage is very easy. SS43_ULTIMATE.exe sony-net-md-drivers-win764.zip

Since the "Ultimate" 4.3 version seems to have gained quite a popularity, and appears to be less glitchy than any previous one, I decided to build a second release. This is purely a cosmetic update. What's changed from the first release: 1. Updated Registry Information Setup is used now. This doesn't affect minidisc functionality in any way, but may add support for some newer ATRAC phones (you still need to provide the respective drivers). 2. The link to Minidisc Community Forums in the Help menu is replaced with a link to Sony Insider Forums. 3. Installation package extraction path is no longer saved to registry. 4. Windows Installer 2.0 distribution package is not included. The complete list of changes from the official VAIO version (including changes introduced in the first release): 1. System prerequisites from Microsoft (Windows Installer 2.0, DirectX 9.0c, Windows Media Format 9, Windows Media Format 9.5, Data Access Components 2.5) are not included. 2. OpenMG Secure Module version 5.0 with the respective Registry Information is used instead of the original patched version 4.7. 3. Sony CONNECT Store support is no longer installed. 4. SonicStage Security Update is installed automatically. 5. Latest Personal Audio Drivers for SONY devices are installed automatically. 6. The VAIO support link in the Help menu is replaced with a link to Sony Insider Forums. NOTE: If you have applied the experimental SonicStage patch 4.3.02 for Vista/Windows 7, you'll need to re-apply it after installation. Download links: SonicStage 4.3 "Ultimate" Release 2 for Windows 2000/XP/Vista (you must register at Sony Insider forums to download) Mini-mode skins Recommended PxEngine update

Hello everyone! I'm new to this forum, and let me say that I love to see the love and conversation about MiniDisc keep going on I'm popping in just to let you know that I've recently released an app for NetMD devices. I wrote the app mainly for myself, but I thought it might be useful for some of you too! So, and here's the link to use it -> https://stefano.brilli.me/webminidisc/ And here's a short demo of how app works Any feedback is welcome! Stefano

As promised in one of my previous posts, here is the trailer for 'The Field Recordist' which features some of the mini disc recorders, together with recorded tracks: UPDATED - HERE IS THE COMPLETE FILM: Best heard with headphones.

Hello! Just thought I'll report it here, if you're trying to create an account without a connection with an already existing account like Google or alike, it's simply impossible to do so, because of incorrectly loaded reCaptcha. To make this account I had to rewrite the part of the site responsible for the captcha. If anyone else is experiencing the same difficulties, here are the steps I used to create my account: Go to https://forums.sonyinsider.com/register/ In devtools, open the `head` tag and remove all the scripts that mention recaptcha Add a new script, with `src="https://www.google.com/recaptcha/api.js"` Execute the following JavaScript code: const captcha = document.querySelector("[data-ipscaptcha]"); const parent = captcha.parentElement; captcha.remove(); const newCaptcha = document.createElement("div"); parent.appendChild(newCaptcha); grecaptcha.ready(() => grecaptcha.render(newCaptcha, {sitekey: "6LdgERMTAAAAAC4kTmm7BH1laShX3teATAV_6FIY"})); After that, you should be able to click on the captcha and create your account by executing the following JS code (the submit button is broken): document.querySelector("form").submit();

Finally, my homebrew laser power meter is put together. It cost $3 worth of surface mount components, a used disc sacrificed for the shell, a piece of pcb, and some other stuff I found in the back of my drawer. Initially I tested it with my digital multimeter hooked on those test terminals, but then I found this neat little five-digit Volt-meter I bought some time ago on ebay, I think it was five bucks or so with free shipping from China. Without much fine tuning, I popped this little probe into all the decks I had at hand, and measured the laser power. From the mV readings and the nominal laser power values I calculated the mV-to-mW multipliers, and I took the average of a unit I trusted the most, a 940. Using this sole multiplier as the "calibration", I recalculated the measured mW figures and compared to the factory recommended range. Most of the other units were nicely within specification, but this 530 in question, that immediately popped out, being near 40% below the necessary values, i.e., 0,55 mW and 4,32 mW versus 0,9 mW and 7,0 mW respectively. Now, it might be that easy, but before changing anything, I want to check the IOP, to see, whether that meets the specs, and set the measured value for further adjustments. For this I will need that rig connecting to the drive, currently waiting for the special connector to arrive. So much for now, I will update the thread as I progress. Some photos attached below, just for fun.

I received a similar, albeit slightly smaller, mix of boxed and unboxed discs today too 🙂

Which sort of cases are you after? You used to be able to buy the basic hinged jewel cases from Amazon but I've not seen them on there for a few years now: If you're UK based Retro Style Media sell them: https://www.retrostylemedia.co.uk/product/clear-minidisc-case Price per case varies depending on how many you buy. Note that the quoted price is ex VAT so you'll need to factor that in as well. They also sell the larger cases that pre-recorded discs used to come in back in the 90s: They come in a variety of colours but are a lot more expensive. You can find them here: https://www.retrostylemedia.co.uk/shop/minidisc-cases That website also has templates to download for the inserts etc. There's a bit more info (and a video) here:

Don't worry about it - I got myself a Sony LAM for testing and ended up falling in love with the whole LAM series of devices. I have 3 now, so I use that functionality regularly 😆

Over the past couple of months, I've been bitten by the MD bug again. I hadn't visited this forum in a VERY long time. I've used one of my MZ-NH900s at my work desk on almost a daily basis for 10+ years. It sits it's original cradle, powered from the AC adapter because the battery long since gave up the ghost. I have about 20 disc's (a mix of Hi-MD and standard MD My other NH900 has been broken for years after it fell out of my pocket and a disc got jammed. Was able to get the disc out by disassembling the recorder but when I all went back together the buttons were no longer responsive... So I put it in a storage box with my other MD stuff that wasn't used anymore. FF 1month ago, I was digging thru some things and came across my box MD recorders. Pulled out the NH900 and took it apart again. Long story short, it's had been returned to service! While looking for info on repair, I came across this site and an intro to Reddit MD. My interest stoked again, burned some new disc's, reorganized some of my favorites, and am trying my hand at labeling. I've also managed to buy a couple of new Hi-MD blanks and some used standard MDs. It's always fun to go thru used disc's from someone else to see what's on them 🙂 My MD arsenal consists of: MZ-R500, MZ-N707 (eprom nodded), MZ-N920, IM-DR420, MZ-NH600D, 2-MZ-NH900s, 2-MZ-RH10s (both with bad displays), and a MZ-RH910. 150ish standard MDs and 15 Hi-MDs. Most of my standard disc's are Hi-MD formated and most of the music is burned in ATRAC3plus @256k. I simply LOVE this format!

Nice to see SIF back up. Why was it down? It was quite a long time. I think many people have given up on it. That http://www.minidisc.wiki has turned out pretty nice btw. Still has a ways to go, but it has data on some devices not found anywhere else in English.

I don't have a question, just wanted to post a brief "ode" to my Sony MZ-R90 which I got, unexpectedly, as a birthday present in 2000. It transformed portable audio for me, but six short months later, my MZ-R90 was stolen by an opportunistic thief. Not long after that, I moved on to MP3 players, but just recently I have been reminiscing wistfully about that beautiful little piece of music technology. I had the black version, and I think the industrial design is really magnificent.

Back in 1997, long before MP3 was anything more than a concept, I was serving in the Air Force and frequently deployed overseas. Some guys on the squadron introduced me to a strange format for making music portable. MiniDisc. I soon got to learn that those tough little discs survived the rough-and-tumble of life in a kit-bag. We each bought portable players, and would ‘pool’ our discs together to make little music libraries, would trade discs with one another, and would copy CD’s for one another back home. No matter where we were in the world, AA batteries were easy to obtain, and just a handful of batteries would literally last weeks. It was a pocket-sized bit of luxury that we could carry with us, and I loved it. ......then, along came MP3 players and the ubiquitous ‘iPod’. Suddenly we could carry all of our music in a small space, and it seemed that the MiniDisc was dead. Within about 3 years everyone I knew had ditched the format and were literally giving away their discs and players, as were oil-rig workers, fishermen, and other locals who worked away from home for extended periods. I too, confined my MiniDisc collection to a box in the loft, and bought an iPod Classic. Fast-forward to 2005, and I deployed for a 4-month tour to Iraq. My iPod came with me, and I had the small luxury of my music collection to fall back on, OR SO I THOUGHT. By the second week I had the sickening ‘Sync Reset’ display (which of course was impossible without my PC) and in one fell swoop I lost my music. Other guys had problems with the portable power-generators cooking their wall-plug chargers, and soon quite a few of us had lost the use of our players, just when we would have appreciated them the most! Back home, and I was quickly falling out of love with my iPod. It seemed that whenever I updated my collection there would be issues with mixed/missing title-tracks and artwork. Any albums entitled ‘Greatest Hits’ would become an amalgamated mess, and whilst the battery-life seemed to get ever shorter, the demands for a ‘sync reset’ increased. The love was fading. I noticed something else, too. My listening habits were changing. My seemingly endless access to music made me a lazy listener, and I would frequently jump from album to album, track to track, and would often skip mid-way through a track. My days of listening to an album the way that the artist intended, had gone. This wasn’t music enjoyment. ....and so, by 2008 I was back to my MiniDisc, and what I revival it was! Equipment that had previously been prohibitively expensive was now dirt-cheap, and I was living the hobby like a millionaire! I soon had units for every occasion with Sony JA20ES and JA50ES decks for hifi use, numerous portable players, and a Pioneer MEH P9000 head-unit for the car. I could afford to be extravagant with discs, and my well used dozen or so swelled up to over 1,000. That was 10 years ago, and nothing much since then has changed. I still indulge in the childhood enjoyment of putting a ‘mixtape’ together in real-time, copying music from my CD’s and vinyl to Type-R SP to listen to in the car, or out walking the dog. Because space is at a premium my playlists are more carefully considered, and I listen to each track in full. My listening-habits are back to where they should be. In 20 years I can count on one hand the number of corrupted discs I’ve suffered, only ever having to re-copy one album. I keep discs and a spare player at work, in the summerhouse and in the car, and I have a physical, tangible connection with my music collection again. MiniDisc as a commercial format is dead, and I’m OK with that. It continues to live on in my household, and probably will do for years to come, maybe even for another decade or more. I continue to love the ‘forgotten format’, and those robust little discs give me everything I need.

Hi Folks, Long time no post, busy with child rearing. :-) I do stop by to read up on new posts and topics. I ran across this video on YouTube yesterday, sorry to post if everyone has already seen it but it was good to see and I wanted to share with all. Cheers!

It is currently admitted that the MZ-RH1 has the best DAC, ergo the best sound. I prefer however the sound of QS and ES Sony decks.

Hi all! So I've started a little project for myself. Minidisc never really caught on too well in canada so I won't be stmbling on any racks at the thrift shop anytime soon. I've been looking for storage solutions, haven't been a big fan of the wine box idea, generally I haven't seen anything that really caught my eye. For some reason it never dawned on me in the last year to 3D print some racks... I'm not sure why, I've been 3D printing everything else for years.... So I designed these up yesterday with some spare time. They're very rough still and very utilitarian. The larger one holds 10 discs and is meant to stack vertically (and has holes for nesting feet, and holes for screws). The smaller one to the right I haven't tested yet but I am thinking of a wall unit that makes the discs look like they are floating out of the wall. Edit wise I'm going to shrink the width by 2mm and perhaps put the discs at a slight downard angle rather than 90 degree so that if they were on an uneven surface, they'd still stay in the rack. What do you guys think? Feel free to toss any ideas my way! (also, for curiosity sake, the larger one took 8 hours to print! 3d printing is pretty cool but it's still a very slow process.) (The render) and printed

I got the drivers installed on my computer. I recommend watching this youtube video thats how i did it.

In case anyone is interested... I´ve written a review of the Sony MZ-R 50. http://marlene-d.blogspot.de/2013/07/the-legendary-sony-mz-r-50-review.html

I just wanted to say that it is nice to have some new members who are clearly MD lovers around to join in on the discussion and add new thoughts, ideas and opinions. Welcome all. :-)

Buy LIP-4 battery. First open all the cover of LIP-4. then you can small PCB. just remove the PCB using soldering iron or else. Do the same things with LIP-3 batteries. take the small PCB from LIP-3 and put to LIP-4 battery cell use soldering iron. Then cover you new battery, make sure it won't have electronics shortcuts. You'll have a new long lasting battery. It works on my MZ-N10.

I have a Sony MDS-JE780 for sale. It is silver and in mint condition as it has been hardly used. It is based in Wolverhampton so can be collected, or can be posted at additional cost. (I estimate about £7 with recorded delivery) £80 ono. Spec taken from the Sony website: Hybrid Pulse D/A Converter ATRAC DSP Type-S Long Time Recording and Playback (LP2, LP4) Pitch Control Scale Factor Edit NetMD Control A1 Keyboard Terminal 1 x Optical & 1 x Coaxial Input & 1 x Optical Output Available inblack and silverSee the link for more info.... http://www.sony.co.u...=TechnicalSpecs

MiniDisc is not useless; it's obsolete. There is a key difference. Nothing as multifaceted as a MiniDisc recorder can be said to be useless. That said, I think that even if Sony had marketed MiniDisc successfully, it would be obsolescent today because its competitors are more feature-rich. I have difficulty following some of the logic in this thread. MiniDisc and MP3 players both have shuffle functions. It's up to the user whether or not to use them, and absolutely nothing about an MP3 player compels one to do so. It SHOULD go without saying that either is just as capable of playing entire albums chronologically. You're arguing against your perceptions of MP3 users' supposed preferences, which are likely exaggerated and unfounded. The issue was the native functionality of the devices and which better suited the questioner. I still have my MiniDisc players, though I almost exclusively use my MP3 player (and never on shuffle). I may be returning to reporting soon and thus would use my MiniDisc to record, even though my MP3 player has a voice recorder. I also take out MiniDisc sometimes just for nostalgia. Whereas many of you are exalting album listening, I actually got into MiniDisc because it facilitated playlists, but now MP3 players do this better because the track need not be re-uploaded to form the playlist. Album listening has its advantages and purposes, but playlists demonstrate the user's creativity and make for great time travel. In my moments of nostalgia, I can call up playlists of the songs that defined eras I miss. It's a beautiful thing. One of you said you found MP3 players useless because they could not do all the things a MiniDisc player could. That depends on the MP3 player. (Further, it's a bogus statement because any mass storage device that plays music clearly has a twofold desirable purpose.) I actually can edit titles and move files on the go, but let's be honest: It is rare that such an act is of such pressing import that it can't wait until one gets home. My MP3 player is an Archos 5, which, like many MP3 players, has great sound quality, radio, a 250-gigabyte hard drive, a voice recorder, Wi-FI, Web radio and TV, DVR, picture display, and video. Useless because it's an MP3 player? Oh, brother. Much of this stems from your zeal to vindicate the MiniDisc, which I love. Another example is the citation of an intangible such as "cool factor," which lies in the eye of the beholder. Consider that being in the in-crowd like an Apple user can be said to be cool. Also, cool as in different just means anything opposed to the leading product, and that doesn't necessarily mean a MiniDisc. A lesser-known MP3 player can turn heads, but turning heads is not where the joy in product use lies. It is also flawed logic to assert that one likes MiniDisc because one prefers to carry around just a few albums. One can choose to listen to just a few on an MP3 player, first of all. The mere presence of all the other tracks you have neatly stored on the hard drive will not weigh heavily on the mind. Second, both MP3 players and MiniDiscs are mass storage devices. That's like one compulsive overeater defaming another because the other is even worse. That does not make you the icon of restraint; rather, you prefer a lesser example of excess. I do believe there still are real advantages to MiniDisc that relate to its native functionality. It's durable, sounds great, and records. It edges out MP3 in battery life, line-in recording, and usually voice recording. Actually, recording is where its greatest strength is now. Another strength is that different models are tailored to different uses; some have radio, some record and others have a digital amplifier, for instance. I love that my MP3 player works with Windows Media Player, which keeps track of the tracks you have and have not added to the device. Syncing automatically adds the new tracks. If I went back to MinDisc, I'd have to guess where I left off as I tried to upload all the music I have purchased since then to MiniDiscs. Also, I don't have to be bothered with SonicStage or ATRAC anymore, and I am glad. I don't have a second-generation Hi-MD player, so I can't put MP3s on them.

I have an N510 and a DN430. Both sound really good. I also have some S1's which, I know, are type R. They both sound excellent to me. I figured I'd take the (possible) slight noise quality hit and lack of remote for bombproof (especially in Orygun) performance of the S1. I can say those DN430's sound just fine. I think you can find that model with a radio too

Thought I'd resurrect this thread as it is the only thing that shows up on Google for Denon Minidisc "Mech Err 1" - I have the same drive in my Denon DMD-F100. After several rebuilds I finally found the problem with mine was that the clutch gear was seized solid. Even though the limit switches on the load/eject mechanism were working fine, it seems like the player still relies on a certain amount of clutch slip at the ends of its travel. With no slip the torque from the worm gears tries to push the drive apart and jams it solid. I dismantled the clutch to free up the plates and now it is loading and ejecting perfectly.

Hi Folks, my first post here, to share my quantitative collection. Cheers!!

The MiniDiscs I most enjoy stumbling across are the ones where I’d made an unlabelled (except for possibly noting the month/year) “mixtape” back in the day and being reminded of a point in time. It’s interesting being reminded of what I’d been listening to in, say, May 2001 or August 1998.

I just wanted to update this forum on my solution so maybe it MIGHT help someone else in a similar situation. I went ahead and carefully took apart the unit. I was able to release the front display ribbon connector cable from the main circuit board and very gently clean the contacts with some 99% isopropyl alcohol. This is kind of dangerous as apparently (I learned about this later), that the contacts are leaded. If you clean them too much, you might simply "wipe" the contacts away and ruin the connector. Well, I did use a light touch and when I put it all back together, my LCD was back in business. So in my case, it was definitely an issue with oxidation. Unit is now back to its former glory

OK, thanks. That clarifies. I give up then for now - maybe new facts come after the remaining tests.

There is a few things we should distinguish here: 1./ The sound quality output from the D/A converter of an MD device vs. the sound quality of the same audio material recorded via ATRAC, on the same device ATRAC is a lossy audio format by design, and even being technically superior to other lossy formats, still there can be audible differences to the original audio, plus there is a significant "subjectiveness" factor. 2./ Tidal offers different audio quality options Only the highest one ("Master") has better than CD quality. Recording to MD from such 24 bit master files should yes, sound theoretically better than recording to MD from a CD quality source. Their second best option ("HiFi") is exactly the CD quality, and the remaining two ("High" and "Normal") are lossy, so these are probably out of question in this context.

Sounds like the sled cannot find the right positon for reading the TOC. Might be a dental problem :-) . (direct link) (another one here)

Bought 3 of them in case I fucked it up. Worked first time! Charging now. Thanks very much!

I2OB wrote: "my brother is studding in Japan right now..." NICE work if you can get it! ;-)

Do you have the discs prepared already, or will you take thoughts on which disc design to pair the labels with? These 5 will all be rotated 90 degrees to the left, I assume. To get the ball rolling, I say put the first on a yellow victor fruity colour ... if you have one. Or a maxell iro maybe?

"The market" determines their worth? Well, "the market" usually has no idea about quality - because in this case it consists of a few dumb people believing in a myth. The TDK significantly colours the sound and is far away from the original sound. But I´ll give you advice regarding your "market": you should extend shipping to Europe. Here in Germany for example, Sharp's last MD recorders with 1-bit technology are highly sought items, fetching rather extreme prices (and they too are not worth their money). The same goes for any HiMD device and the accompanying HiMDs. Happy? If so, stop using this forum to extract information on how to exploit others!

"On this forum, no one will pay eBay prices" So why is it that you 'advertise' your eBay listings on this forum?

Another "budget" player/recorder with AA battery( rechargeable or not), mic input, optical input, inbuilt rechargeing circuit is the Sharp MD-MT88/99 These are LP players not NETMD. They normally come with a small inline remote. I have had mine a very long time now, is rather worn but still works 100%. It has a very thick metal/alloy caseing, the likes of which you dont see today. A good clear display - better than the silly littje recessed displays in many Sony mds. It doesnt have tone controls. Other than that, if you can find a nice example you have a friend for life. I think these are one of the best made portables around.

That sounds like a great plan. Also, you mentioned having a friend or acquaintance who may have a unit you could purchase. I would personally always feel more comfortable buying something of such high value from a trusted and known source. :-)

Well, it certainly sounds like you have the setup to make a good comparison, I know my 20ES makes the best SP recordings I am personally able to create. I have read good things about that particular Denon deck as well. Like punkrockaddict, I'll have to get out a nice SP disk and make a comparison as well, unfortunately, also like punkrockaddict, my ears are almost 50 years old, I am certain my tinnitus could be measure in dB it is so loud! The N1 was one of my first Type-R machines which I bought in maybe 2001 or 2002, it was also my first MDLP and NetMD unit, at the time I was doing a lot of bicycling and if I recall, I used it to rip and playback a lot of LP2. At the time I had no deck to make good quality SP recordings. Just for fun, I'll get these out tonight and do some listening.

Here's what I've found. Keep in mind that for at-home use, I listen to MD almost exclusively through an MD deck attached to an amplifier via the deck's analog outputs. Everyone means well, I know, as far as how to get the best sound out of MD, but the configuration I just described is what I have and will stay as it is for the foreseeable future. One of my two main listening systems has, for an amp, the Cambridge Audio Azur 540R V3. This is a "modern" amp (that is, it has an optical in), although a few years old. At the moment, I'm using my JB930 as MD input to the amp, via analog, but for a couple of years prior, my JB940 was the MD source. The JB940 sounded pretty much the same no matter if connected to the amp via its analog out or via its digital out. I don't know what kind of DAC the 540R amp uses, but given the general high quality of Cambridge Audio gear, I would suspect it's pretty good. Perhaps if I tried using my MXD-D400 as input to the amp, I'd notice more of a difference in sound via the D400's optical out as compared to its analog out. (The D400, like its predecessor MXD-D40, is really rather woefully deficient as a playback unit via analog out.) Should my NAD C372 amp (the amp for my other - and primary - main system) ever fail, or should I ever find myself with a surplus of funds, then I'd consider replacing it with a similar unit that does have optical in. That could give me more options for MD sourcing. Anyway, I just wanted to note that people on this board use MD in different ways and that there's no one-size-fits-all solution for improvement of MD sound. The important thing is that we all do use MD, in whatever way is available or best for each of us. BTW, shortly after my acquisition of the JB930, I also got a non-Sony deck - a Kenwood MD-2070. I found this on eBay as a never-used item. It certainly looks that way. First audio impression was that it's not up to the JB930's lofty standards, but still pretty good, especially considering that it is ATRAC 4.5. Not sure just yet how I am going to use it. Have a good day, all, and keep enjoying MD. Bruce (or Bluecrab, take your pick)

I´ll try: he didn´t buy the most expensive MDs. What that means I have no idea. Maybe he wasn´t interested that much in haptic quality. Or he simply didn´t care. He´s an orderly person, titling his MDs. The music he likes... well, he does have taste. Blur, Ella Fitzgerald, Daft Punk and Faithless. Clubmusic, jazz, alternative rock. On occasion he experiments with different styles like Dido or Elvis Costello... or Boyzone (!). There´s also an MD especially made for cooking. Either for a girlfriend or for himself... Some MDs are not titled by him but by another person, judging from differing styles of writing on several MDs. Which could mean that he convinced someone else to invest into MD or that he was convinced. I cannot see very much I´m afraid, except stating the obvious.

iam not sure wether we will or won´t be surprised by the result- I could guess a small advantage by the Deck. Anybody else thinks so ? But if the were on the same performance line.. wouldn´t that be fantastic too.? I send the Test recording out so in a couple of days I`ll probably know more ;-)

Stephen, why the http://forums.sonyinsider.com/files/category/1-programs/ link is broken ?

Hi macbob. It is highly unlikely to be the write head or its cable at fault. In my experience faults such as this are caused by the optical pickup assembly on Hi-MD recorders. And replacement is a very delicate job. The disc may or may not play back on another unit - it depends on the nature of the problem. But it is certainly worth trying before reformatting it. Jim

Yes he does!!! I'm glad he was able to help you out.

http://forums.sonyinsider.com/index.php?showtopic=24827 Here is the list that my friend Pierre want to sale first to MD fans like ours... Later will come the price and details, at first please tell me what is your first 10 better choice because there is a huge work : hundreds of photos, description, etc. Most of decks are complete (box, remote...) Loque : As it take time to sale 100 decks, don't be afraid, there will be still plenty to sale next year ! Ask any question you want : PM me, I will transfer to Pierre. Final negociation will be done with him. Brand Model Denon DMD 1300 Denon DMD 800 Denon DMD 1000 B Denon DMD 1000 S Denon DMD M7 Denon DMD M10 Denon DMD M30 Denon DMD F100 JVC XM 228 Kenwood DM-3090 Kenwood DM-5090 Kenwood DM-9090 Kenwood DM-S500 Marantz CM 635 Onkyo FR-435 Onkyo MD-A9 Onkyo MD-105 Onkyo MD-122 Onkyo MD-185 II S Onkyo MD-185 II B Onkyo MD-2321 B Onkyo MD-2321 S Onkyo MD-2511 B Onkyo MD-2521 B Onkyo MD-2521 S Pioneer MJ-D508 Pioneer MJ-D707 Sharp MD-R3 Sharp MD-R2 Sony MDS-101 B Sony MDS-302 Sony MDS-303 Sony MDS-501 Sony MDS-503 Sony MDS-J3000ES Sony MDS-JA3ES S Sony MDS-JA3ES B Sony MDS-JA20ES B Sony MDS-JA30ES S Sony MDS-JA30ES B Sony MDS-JB730 Sony MDS-JB920 Sony MDS-JB930 Sony MDS-JB940 Sony MDS-JB980 Sony MDS-JE320 Sony MDS-JE330B Sony MDS-JE440 Sony MDS-JE470B Sony MDS-JE470S Sony MDS-JE480S Sony MDS-JE480B Sony MDS-JE500 Sony MDS-JE510B Sony MDS-JE510S Sony MDS-JE520 B Sony MDS-JE530 S Sony MDS-JE640 S Sony MDS-JE700 Sony MDS-JE780 Sony MDS-M100 Sony MDS-NT1 Sony MDS-MX1 Sony MDS-PC1 Sony MDS-PC2 Sony MDS-PC3 Sony MDS-S1 Sony MDS-S30 Sony MDS-S35 Sony MDS-S37 Sony MDS-S38 B Sony MDS-S39 S Sony MDS-S40 S Sony MDS-S41 S Sony MDS-S50 Sony MDS-S707 S Sony MDS-SD1 Sony MDS-SP55 Sony MDS-W1 Teac MD-H100 Teac MD-H500 Teac MD-H500i Teac MD- 8 Teac MD- 5 Technics SJ-MD100 Technics SJ-MD150 Technics SJ-HD501 Technics SJ-HDA710 Universum MD 4096 Yamaha MDX-595 S Yamaha MDX-595 B Yamaha MDX-596 B Yamaha MDX-793 B Yamaha MDX-E100 Yamaha MDX-E300 Yamaha MDX-M5

Sorry to dig up an old topic, but I thought I should update it! Not long after posting this thread, I talked myself into buying a NetMD. I picked up a Sony MZ-N710 on ebay for around £30 - the exact same model I had years ago... The battery doesn't charge any more - as can be expected from such an old piece of kit - but it still has all the original accessories, including the external AA battery adaptor. Damned glad I did: the sound quality, even on LP2, far surpasses anything I've ever heard out of my phone or any of my iPods... I don't mind the fuss involved with real time recording, either; it forces me to think about what I actually want to listen to, rather than just dumping a pile of music onto an SD card and hoping that there's something there that I'll listen to. Sadly not, I remember throwing it out some years ago; I knew I should have kept it, but was under the influence of one of my girlfriends cleaning sprees!

I use my MD's as much as I ever did. Having a physical disk is important to me and I love that I can edit so easily and precisely without resorting to using a computer. The disks last a long time, they are secure and easy to handle and use. What is not to like? Well, I never had problems with DRM - mainly becase I just made one disk via optical or microphone and listened to it. For what I do I cannot see that MP3 players will add anything to my music enjoyment so I've never had one. I'll be honest and say that I never liked audio tapes very much even when they were the only thing around. The fact that any mistake with the pause button or rough edits were impossible to rectify and recording from the radio gave often poor results when the pause button was used to edit out the DJ's waffle. I still use VCR's as my primary video system and the quality is fine to me (I'm in a PAL area and using a CRT TV) and the Hi-Fi sound still impresses. Grab a tape, stuff it in and hit record - no messing with menus. I keep being told VCR's are 'obsolete' and won't work after the April analogue switch-off but with a digibox they are good to go. Just last night I recorded 'REM at the BBC' on my 1983 Betacord (Sanyo Beta machine) using the timer and a digital converter - and will watch it tonight.

- one MZ-R35 and 14 MD blanks for 20 euros from France

In the past, i've used MDLP to rrecord old talk radio, (Art Bell, Phil Hendrie, etc), and found that LP4 was absolutely fine for that. LOL back in those days, compared to cassette, LP4 was a Godsend for talk radio junkies - 320 mins on 1 disc? You could recored the whole 4 hour show on 1 disc... that was astonishing at the time, and to some degree still is, considering it's such a small device...