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You have to rename the album. It will then ask you if you mean the program to merge the contents. Note that for some purposes, Album X with artist Y will be DIFFERENT from Album X with artist Z. So it may be necessary to clear/merge/delete the Artist field if you have entered it already. It's much easier in the long run to label the tracks whilst they are still on the MZ-RH1 i.e. on minidisk. You can also MOVE the files on disk either before or after this process or renaming the albums. The problem there is that the files have to conform to Windows' rules (no duplicates). Moving is really just a right-click from Sonic Stage library display. SS does not support second-level tree structure. So you are stuck with "ordinary" libraries with only songs in them. This does NOT have to be the case for the Windows files but it probably makes it easier if you do it that way. Please be sure to decrypt all your uploads - the File Conversion Tool (google it and this site as in "File Conversion Tool site:forums.sonyinsider.com") Hope this helps.

1. What are you trying to change it FROM? Does that location still exist and are there ATRAC files there already? 2. Does the new location exist already? 3. Is it (the new location) write-permitted to all power users or better (admin, system etc)? Stephen

I just confirmed. The D40 (modified) and D5C both work fine. Looking at the circuit, the path through the DAC is wired up in a different way to all previous models eg JB series and also MDS-PC3 (which I have). The latter is IMO the best of the lot because it gives max flexibility (analog or digital input) coupled with BOTH analog and digi output (simultaneously). On another topic (which may be related), the new NW-ZX2 has separate DACs (I think) for 44.1 and 48Khz. I did notice a long time ago that the the D400 behaves strangely badly in some circumstances playing back LP4 which I always took to be some strangeness in the order of conversion from 48 to 44.1 (perhaps you understand the schematic better than I do), so much that I would suggest you probably don't actually want to use it as a DAC. I think they needed CDs to play directly without pressing the REC button, which is what I have to do with my modified D40. FWIW, you could do the D40 mod to the D400 and have MD output digitally through a new, separate connector all the time. But I doubt this is what you want or need. Stephen PS the DAC is probably not as good as the beefy ones in earlier units. For me the nice part of the unit is that it's the only combo deck with optical out from the MD side built in. For non-MD I would choose a better DAC, perhaps.

If the MDs were in legacy format (that is, non-HiMD) you are out of luck unless they are "original" recordings I.e. not transferred from computer. Even then you will need an MZ-RH1. Sony took the view that it's ok to make a first generation copy but not a second generation. So you'd have to find the original CD's or whatever. If they were recorded to HiMD format the situation is slightly different. Now you can transfer the files around but only if they were not encrypted to begin with OR it's back to the same computer they came from. You can copy the files off the HiMD but you will have to crack the metadata yourself. It's there but I don't really want to spell out those details if this not your situation. If what you mostly have is LP2 songs created by NetMD and SonicStage then it's hard but not impossible. Your solution will not involve USB and so must be done at playback speed. Sorry.

The best tool by far for opening MD shutter is a paperclip with one arm bent straight. You'll figure out how to do it as soon as you work out how insertion into a deck or portable triggers the opening of the shutter.

That often seems to happen tho. The symptom is battery gets very hot exactly once and then after that is recovered. Something to do with NiMH crystals.

No!

I have yet to find a NiMH gumstick battery (as in MD) which is not revived by the computerised battery chargers typified by BC700 as here: http://www.amazon.com/gp/product/B000RSOV50 Kind regards

OP, please note this is another NiMH battery, and NOT what you want. Yes, I saw them at the Walgreen-owned EverState Battery company which has recently disappeared from our neighbourhood (another example like Target of US businesses not succeeding here in Canada, for whatever reason). I think they might be made by-or-for Walmart/Walgreen.

I think the N10 battery is same or similar. LIP-3 and LIP-4WM are convertible but not interchangeable. (One has a cable the other doesn't) But the one you have found is the NiMH gumstick used in many other models. No it is absolutely not suitable. Sorry. The battery is about $50 on Yahoo Japan. I'm considering getting one myself if I can not revive mine. Try leaving the unit plus battery plugged in to cradle for 24 hours. You may be surprised.

Nope. For that you need any USB-connectable portable from Sony, and SonicStage.

(At least) the Japanese version of the NWZ-S75x series. Probably more, too. Hardware identical, firmware different from the one available outside Japan. Update: just tested it, works recording off the line input, but not radio.

I have now tested this and I am happy to say that the 32-bit Windows version works perfectly. If you want to check it out, go here: http://nightlies.videolan.org/build/win32/vlc-3.0.0-20150208-2058/ I am not sure why, but the 64-bit version doesn't seem to be working yet. It dies with no error message whatsoever. Stay tuned.

Ultimately all audio signals start out as analogue.Staying with digital is usually good, except that compression and conversion artifacts (yes, even "uncompressed, lossless" PCM is in some sense compressed, so please nobody any of that hogwash about perfection through not using compression) can tend to build up depending on what you do to it. Sony is very careful with their digital signals - other mfrs may be less so. Sometimes it's simpler to do a good conversion back to analogue and then record that digitally, especially if the conversion is doing a bad job, Follow what sounds good (assuming your ear can tell!) and always use the same steps whenever you can. There are no simple answers to your question. One unfortunate thing about the means you describe are that the old ATRAC compression (before ATRAC3 and ATRAC3+) although sounding good, is not actually a very accurate codec. Nice yes, warm yes, but accurate maybe not. The strength lies in all the OTHER stuff Sony does to clean up the signal on their amazing MD decks, such that the result can sound better than the original. The other problem is that ATRAC itself is sort of on an island, and to get off the island you have to: a. buy an MZ-RH1/MZ-M200 (same thing) b. convert the compression to something which can be stored on disk. It doesn't matter what the reasons are - but it's unlikely that storing the actual MD data from your SP disks will be possible or useful. With ATRAC3+ on the other hand (assuming you don't want to spend 5x the real estate on PCM) you can get really very good recordings (of someone else's digital signal) and transfers. The japanese version of the flash walkmen actually allows you ATRAC recording, I just haven't tried it yet. In the post-MD world PCM recordings are very nice, however most people end up converting them to "lossless" like FLAC (and others), to save space.

Just as I said at the start. Busted overwrite head.

Did you test the "CD-MD sync" as follows: 1. Do the transfer as you say it works 2. Remove the MD and also the power to the machine (not just standby, pull the mains wall plug out for 30 seconds) 3. Re-energize the machine and reinsert the disk. Can you still read the TOC of the disk you made?

I got a note in my mailbox this morning indicating that this bug is now fixed. The nightly builds for today are not yet posted. However we can probably expect them to be done shortly. This means that with the exception of AAL (which was never encrypted anyway) all MD formats uploaded to PC are no longer locked down to the machine and that VLC as well as ffmpeg can now play ANY ATRAC3 or ATRAC3+ file on demand.

You may (unless you are running 32-bit Windows) need to install the 64-bit NetMD driver to get access to the SP disks.

333nt and n707 No issues though I think netmd tracks' titles are frozen after transfer FROM pc.

..... mais sans minidisque. This guy's face looked familiar, maybe he's the next Snowden?

Interesting that it copies MDLP! Looked up, that software may be called AC-20D (sounds like update!). But no manual I could see, yet, except the fact sheet on the MDCF website.

Try normal instead of high speed synch. So it's playing as you record.

Ohhhhhhhh. I jumped too quick. Sorry for that, when you said it goes through the motions assumed that you could see the ticking clock as it recorded, and everything looked fine except at the end there was no recording. So you can record something (else) and then take the disk out, and then put the disk back in, and the recording is there? I'm very surprised there was no "Cannot copy" or some such message/error code. Perhaps there was but you didn't notice it. If it's really protected then you have an SCMS problem. The only way to do it now is by analogue. Should happen automatically, sigh. Worst case, you can fool it by playing the disk on another unit and using an analog connection from that into your MD recorder. You won't be able to do it digitally. Since it's a web rip perhaps it won't be all that high quality to start with in which case it doesn't matter..... (There's a way round SCMS but it will cost you a few hundred dollars mostly likely, some pro-oriented gear that gets rid of the protection). I get the sense maybe you are using terms a bit loosely. Perhaps what you need to do is describe exactly the steps you took. What exactly is the recording source (a physical CD?), and how did you get it? The 373 plays only regular CD's, correct? (So it's not that these are MP3 tracks that you got from online, right?) What buttons on the 373 did you push exactly? What showed up on the display of the MD unit as the recording took place? Sony always felt they had a responsibility to prevent you from making "unauthorized" copies of music - yet they sold all this gear allowing you copy music. So there are lots of restrictions to convince you and them (and the worlds of lawyers) that you're not doing anything you shouldn't.

The JE510 is, IMHO, the one and only deck not worth fixing. There are lots available. JE520 for starters. Also decks with MDLP such as JE640, JB940, and some with Type-S processing (you may not care if you only need SP recordings since the improvements are for MDLP). Give up, use for parts.

It's bust. You need someone to repair it. Sorry. PS by all means check by recording from some other source but I don't think this has anything to do with copy protection.